Skip to main content

Playboy and the Home Secretary

Hat tip to the irrepressible Mr Fawkes for this link but the Carry On-esque comments by Playboy TV on the Jacqui Smith expenses scandal is a classic piece of shameless opportunism...and great marketing.

According to the channel,

"Home Secretary Jacqui Smith’s future seems to be in doubt after she tried to claim the cost of two adult films her husband watched on expenses. Why should the taxpayer cover the cost of his adult package the newspapers cry? Well we at Playboy don’t mind what he does with his package and we’d like to offer all MPs and their husbands a special VIP subscription to Playboy known as the ‘Jacq off special.’

After a hard days voting on legislation, lunching and talking to Gordon Brown what better way is there to relax than a quality adult film on the Playboy channel? The Cabinet isn’t the only thing that benefits from a shuffle every now and then. There is also valuable family research the Smith’s can conduct on Playboy, including what their second cousin Anna Nicole got up to in her fascinating life.

It’s about time MPs and their partners stopped thinking adult channels are a ‘mistake’ or being ‘humiliated’ (well, that is catered for in a different way); they should celebrate the adult entertainment we provide! We’ll make MPs subscriptions cheaper and even bill them under the title of ‘entertainment’ or ‘personal trainer.’"


Say no more.

Comments

Anonymous said…
On Huw Lewis Blog
Meanwhile, last week saw the inaugural meeting of the Assembly’s Cross Party Group on Science and Technology which I am chairing. Its early days, but I hope it will provide a useful and worthwhile forum, I will try and keep you up to date!
Posted by Huw Lewis at 08:46
Joe. said…
Whilst Brown steers the country towards the pawn shop, Smith takes it to the porn shop.
I was going to say that she has no grip on her husbands` reality, but that might be a pun to far.

Popular posts from this blog

THE IMPORTANCE OF FRANCHISING

When we talk about start-ups and entrepreneurship, rarely do we discuss the potential of franchising not only as a way of establishing new ventures in the economy but also as a method of growing existing businesses. According to the British Franchising Association, franchising is the granting of a licence by one person (the franchisor) to another (the franchisee), which entitles the franchisee to own and operate their own business under the brand, systems and proven business model of the franchisor. The franchisee also receives initial training and ongoing support, comprising all the elements necessary to establish a previously untrained person in the business. This enables individuals to start their own businesses without having to develop their own ideas and utilising an existing brand and established market. Of course, whilst each franchise business is owned and operated by the franchisee, the franchisor controls the quality and standards of the way in which the business is

Change your business through change

All business organisations, especially entrepreneurial small firms, must cope with an ever changing business environment. However, small firms have a very limited ability in being able to control and relate to changes in the environment, although this can depend on the context of change. For example, if a major customer changes increases its order, the entrepreneur should be able to predict events and actions with regard to the timing and consequences of such a change and forecast any changes in the required resources and cashflow. Given this, the entrepreneur can undertake rational short-interval planning activity in order to underpin organisational control. However, much of the change facing business today is largely unpredictable in terms of its timing and its consequences. In other words, such change is open-ended, with it often being unclear what is changing or why it is changing. For example, the effect of the 9/11 bombing of the World Trade Centre was largely unexpected and its

THE IMPORTANCE OF THE CREATIVE CLASSES

One of my favourite academic books of the last two decades must be the “Rise of the Creative Classes” by Professor Richard Florida.  This was one of the first detailed studies of the growing group of individuals who use their creativity and mental labour to earn a living and not only included those in arts and entertainment, but also people working in science and technology as well as knowledge-based professions such as healthcare, law, business, and finance.  Fast forward to 2022 and Professor Florida has written an updated report on the creative classes although he and his team now identify a different type of individual who is taking full advantage of the growth in digital platforms, social media, and online marketplaces.  Such ‘creators’ are defined as those who use digital technology to make and publish unique creative content, whether in the form of video, film, art, music, design, text, games, or any other media that audiences can access and respond to.  They also make their mon