Skip to main content

SAVING GUILDFORD CRESCENT


Earlier this week, millions of people across the UK poured into towns and cities for the Boxing Day sales although they probably would have paid little attention to their surroundings.
Indeed, few would have realised that a significant proportion of the high streets up and down the country have now nearly completed their decade long transformation into clone towns containing the same chain shops, cafes and restaurants.

As a result, we have seen a gradual decline in the numbers of independent traders resulting in the loss of any character in many town and city centres although some are, thankfully, fighting back.
At the same time, there is concern that in the absence of any civic protection, historic buildings in towns and cities which currently house those remaining independent businesses are not only under threat from developers but are being replaced with soulless blocks of accommodation either for private rent or, increasingly, for students who want to live in the centre of towns and cities.

Three years ago in his book “Living In Wonderland: Urban Development and Placemaking Writing”, one of the UK’s leading experts on urban planning prophesised that towns and cities across the nation were on “a collision course with mediocrity”. David Twohig, head of design and placemaking at the Battersea Power Station Development Company, suggested that millions of Britons would face the prospect of a life in “nondescript developments” which would lead to “bland, homogenous metropolises” identical to others being developed across the World.

To those of us living and working in the capital city of Wales, perhaps the best example of these two trends becoming real is the recent announcement that the landlords of Guildford Crescent at the bottom of Churchill Way (and a stone’s throw from the main shopping centre of Queen St) have served notice on three businesses based in one of the few original streets left in Cardiff.

These are the Thai House, an independent family run business running for over three decades and the oldest Thai restaurant in the UK outside of London; the Madeira Restaurante, a family run independent restaurant that has been serving Portuguese food for 20 years; and the Gwdihŵ Café Bar, seen as one of the cornerstones of the thriving music scene in Cardiff.

One could be forgiven for thinking, given the pressures on high street businesses, that the decision to close these firms is down to a failure of their business model.

However, nothing could be further from the truth and is instead due to a decision by the landlords - the Rapport family - not to renew the lease on the properties where these three thriving independent family firms operate. Once this done, they then want to demolish the buildings to allegedly make way for more student accommodation, which is probably the last thing the city needs at a time when students numbers are actually falling.

So far, nearly 20,000 people have signed a petition which asks the landlords to reconsider their decision and grant new leases to all three businesses, saving over seventy jobs. In addition, Cardiff Council has been considering making the street a conservation area and thus protecting it from development and demolition. Unfortunately, it has yet to do so and time is running for this to be formally adopt before the order to bring in the bulldozers comes through.

Of course, that would not stop the landlords from carrying out their intentions to throw the three businesses out of their buildings although one would hope that, even at this late stage, the Rapport family – who have been an important part of Cardiff civic life for 120 years – will continue to have a sense of duty to the city that has made them their fortunes and will instead play a direct role in the success of their tenants’ business (and that of the city centre of Cardiff) by helping them to continue to thrive.

It is also a critical test for Cardiff Council in not only protecting historical parts of the city but in ensuring that if it is serious about making the city a hub for creative and cultural industries, unique venues such as Gwdihŵ are not discarded so easily, especially for new buildings that no-one really wants or needs. In fact, it (and other councils) should join the call by Jo Stevens, the MP for Cardiff Central, for the UK Government to look carefully at how it can protect cultural assets against those who are proposing developments where there seems little demand.

Certainly, if Cardiff - or any other city across the UK - is to grow and develop then it must not only embrace future opportunities but, more importantly, its own past and do everything in its power to support those independent businesses that have created its culture, identity and success over the years.





Popular posts from this blog

THE CRACHACH

Unlike me, do you consider yourself part of 'the establishment' here in Wales?  As thousands gather for the Eisteddfod in Mold this morning, they will, according to some social commentators, not be participating in the greatest cultural festivals of Europe. Instead, they will merely be bit-part players in one of the annual gatherings of the great and good of Wales.  Unkindly, this set of the movers and shakers in Welsh society is known as 'the crachach' , and constitute a social class all of their own, dominating the educational, cultural and media sectors of Wales and allegedly looking down upon any outsider with new ideas, reinforcing mediocrity and failing to see beyond the limits of their own narrow experience.  They are said to live in a comfort zone that awaits the expected invitation to the next glass of chilled chardonnay and canapés, forgetting that due to their lack of leadership and drive, Wales remains firmly rooted to the bottom of the UK prosperity league ...

THE IMPORTANCE OF THE CREATIVE CLASSES

One of my favourite academic books of the last two decades must be the “Rise of the Creative Classes” by Professor Richard Florida.  This was one of the first detailed studies of the growing group of individuals who use their creativity and mental labour to earn a living and not only included those in arts and entertainment, but also people working in science and technology as well as knowledge-based professions such as healthcare, law, business, and finance.  Fast forward to 2022 and Professor Florida has written an updated report on the creative classes although he and his team now identify a different type of individual who is taking full advantage of the growth in digital platforms, social media, and online marketplaces.  Such ‘creators’ are defined as those who use digital technology to make and publish unique creative content, whether in the form of video, film, art, music, design, text, games, or any other media that audiences can access and respond to.  They ...

THE FUTURE FOR SILICON VALLEY

During the last twenty years, there have been many academics, politicians and policymakers (including yours truly) who have looked over to the innovation developed in Silicon Valley, California and wondered if we could ever emulate that success here in Wales. Whilst the former First Minister Rhodri Morgan proposed only last week that South Wales could become the “UK’s answer to Silicon Valley”, he is not alone in the world with such a suggestion for his local area. With imitation often being the sincerest form of flattery, many others regions across the globe have tried to emulate the ‘secret sauce’ that has led to this small valley to the South East of San Francisco becoming the seedbed for world-leading companies such as Hewlett-Packard, Apple and Google. But after fifty years of success, can it maintain its position as the premier location for innovation in the World? This is a question that its own business community has recently been asking itself. This has culminated in a...